Survive: Escape from Atlantis!

Every summer (or at least most summers), we stay at Ravenwood Castle in Hocking Hills in Ohio. It was originally advertised primarily as a quaint, romantic getaway and my wife and I spent part of our honeymoon there. It has gone through new ownership a couple of times since then, and the current owners have turned it into more of a gaming bed and breakfast, while still retaining the original idea of a romantic getaway (although we take our kids with us these days, so “romantic” isn’t usually our goal anyway, at least not on these trips).

So now when we go, the check-in office has a shelf loaded with all kinds of board games that can be checked out (for free!) during our stay. This is how we first had the chance to try out Forbidden Island. When we checked that game out, the employees that were getting our keys and taking our money also suggested that we try a game called “Survive – Escape from Atlantis!”.


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Microphone Placement With Guitar Amps

Several weeks ago I wrote about stage volume and beaming when it comes to using an amp on stage. Today I want to talk about my experiences using microphones to send the guitar sound to a PA system.

First let me start by saying that I don’t have extensive experience miking amps, and I generally don’t need to either because I either use a multi-fx pedal going straight into a PA system, or the amp itself was enough without needing to have it mic’d.

Having said that, there was a period of time when I did need to use microphones to get my guitar sound into the main speakers controlled by a PA system. I spent quite a lot of time trying to learn the best methods to do so, and after a lot of trial and error, this is what worked best for me.

The main thing that I found, as mentioned in the article I mentioned above, is that the amp has to have enough volume before being mic’d or else you’ll just be amplifying a small, weak guitar sound. The other things that I learned are 1) that you need to find the correct mic placement, 2) that you need to find the best mic angle, and 3) that you need to find the best distance of the mic from the speaker.

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